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26 Şubat 2017 Pazar

The Steve Hewlett I knew: a tough journalist, a fearless chronicler of the illness that killed him

Steve Hewlett became a household name over the past few months for talking about his cancer intimately and frankly to Eddie Mair on BBC Radio 4’s PM programme and for his diaries, which appeared in the Observer. At first I found it hard to reconcile how Steve was talking with the way he’d approached his life and work on Radio 4’s The Media Show, where I was his producer from 2009 to 2013.


It was an extraordinary time in media history, with stories of phone hacking and a BBC director general resigning. Steve Hewlett had always wanted to find the story, not be the story, and he was wary of “human interest”. But here he was on PM talking of himself with the same clarity and fascination as if he were a breaking story, with the scoop on his own condition. Suddenly it made sense. He was an utterly fearless interviewer and now he was turning that fearlessness on himself.


Steve made his name in investigative journalism on television and had been presenting The Media Show for a year when I first met him. We went for a pint and compared notes on what was going well and what might be changed. I had to get up to Steve’s speed on what he already knew, and find new subjects he didn’t know about, to test him, keep pushing him and show how wide the remit of this new programme could be.


Over the next few years, his scoops ranged from phone hacking and press regulation to who knew what, and when, about Jimmy Savile. On air he was dauntingly impartial, as hard on his friends, contacts and colleagues as on anyone else. It was gruelling at times, but Steve had the stamina of an ox.


The Media Show wasn’t Panorama, where he’d famously handled Martin Bashir’s interview with Princess Diana, and Steve was doubtful at first of radio and the impact it had, compared to television.


He was still developing his voice as a presenter of a live programme, rather than an expert answering someone else’s questions on his favourite subjects. But he hit his stride as we broke stories, and he enjoyed it even more when this rolled into appearances on Radio 4’s Today programme, which turned virtually into a residency during the phone-hacking scandals, the News of the World debacle and the Leveson inquiry.


I remember getting a call from Steve almost incoherent with excitement when he had just been phoned by someone at the News of the World, from the meeting where its closure was being announced. Steve made it to a studio to take part in the PM programme within the hour, exhilarated to be the one in the know, first with the inside story.


He was a great teacher. He impressed on me the importance of knowing the industry’s regulations, to see who was bending the rules, and of working out who had a strategy and who was being merely tactical. I often catch myself saying “causation or correlation?” and realise that’s a mantra from Steve, picked up when he snorted at a piece of research that claimed to show watching TV was bad for children, without demonstrating the link.


Steve pushed me and our assistant producer hard, but he always pushed himself harder. Especially in the first years of The Media Show, when it was live at lunchtime, I would arrive before 7.30am to find him already working on something in his office.


Often the door would stay closed for a confidential call. Later, as he came to trust me, it would be left open. Sometimes his tone would be intense, hushed, focused, and I’d not know who it was until after he hung up.


Sometimes it was altogether warmer, lighter and tinged with laughter, and I knew he was talking to one of his teenage sons, a holiday moment on a busy programme day. This would prompt him to tell stories about the other areas of his life, his weekends of refereeing rugby in Harpenden and his adventures in student politics, what he was doing at their age.


It was a glimpse of the side of him listeners eventually got to know much better in recent months. When I asked, he said it felt so natural to talk openly to Eddie Mair about his cancer, he couldn’t understand why anyone thought it was remarkable. Anyone who heard Steve, or read his diaries in the Observer, came to appreciate just how remarkable he was.



The Steve Hewlett I knew: a tough journalist, a fearless chronicler of the illness that killed him

1 Şubat 2014 Cumartesi

Henning Mankell: chronicler of his very own decline | the Observer profile


For the duration of a prolific career stretching back nearly half a century, the Swedish author Henning Mankell, greatest identified for his Wallander series, has developed many million phrases, many of them dealing with ghastly crimes. But couple of of his sentences have carried quite so disturbing resonance as the a single published in the Göteborgs-Posten newspaper last week.


“When I returned to Gothenburg the following day I came back with a serious diagnosis of cancer,” he announced. Mankell had gone to see an orthopaedic surgeon in Stockholm with what he assumed was a slipped disc, but tests exposed he had a tumour in his left lung, an additional in his neck and there was evidence to propose that the cancer had metastasised elsewhere in his entire body.


Monday is Mankell’s 66th birthday. A couple of years in the past, he informed an interviewer he was not afraid of dying. But not currently being afraid is not the very same as not caring, especially when the prospect leaps forward a couple of decades. “My anxiousness is extremely profound,” he acknowledged in Göteborgs-Posten, “despite the fact that by and massive, I can maintain it underneath control.”


Like numerous writers just before him, he has decided to channel his nervousness into writing a chronicle of his disease. It should make a compelling account. One particular of the strengths of the Wallander novels is the way that he documented the detective’s ailments and frailties. Brooding and introspective, Kurt Wallander was handed diabetes by Mankell, who appeared to consider a writerly delight in describing male bodily decline.


By contrast, Mankell has usually been a guy of action. His childhood was shaped by the divorce of his mothers and fathers when he was one particular. His mother left her 3 children to move in with yet another guy. Mankell barely noticed her until he was 15, and in her absence he came up with an imaginary model of his mother. It was a inventive talent that he would later put to lucrative use a writer, but such was his talent for invention that he was severely disappointed when he at some point met the real female. Although he belatedly got to know her, they had been in no way close.


He has since stated that what she did in leaving was only what several males do. There may possibly have been a note of self-criticism in this observation, simply because he has four boys from distinct relationships and, as he later on admitted, he invested two many years in Mozambique partly to escape from “domestic ties”.


His mother died comparatively youthful, at 55. And his father, a judge, took his younger young children to dwell in a little neighborhood in central Sweden (he died when Mankell was 24).


The motherless loved ones lived above the law courts. “Ever because I was a youthful kid,” he later on remarked, “I have been interested in the justice system and how it performs.”


At 16, he left college to turn out to be a merchant seaman, dreaming of romantic journey and exotic locations. But as a stevedore on a coal ship, the spot he most often visited was Middlesbrough. He moved to Paris at 18 and it is stated that he nevertheless carries a scar courtesy of a police baton wielded for the duration of the 1968 événements.


He was and remains avowedly leftwing. In the 1970s, he lived in Norway with a lady who was a member of a Maoist get together and the Norwegian newspaper Dagbladet stated that he took element in the actions of the Workers’ Communist party of Norway. Most of all, Mankell’s politics are informed by an previous-fashioned internationalism in which the west performs the part of ruthless imperialist.


In 1972, when he was 24, he ultimately reached the spot he’d been dreaming of on these icy trips across the North Sea to Middlesbrough: Africa. He 1st visited Guinea-Bissau but produced repeated return trips, living for a even though in Zambia, before taking up a position as artistic director of the Teatro Avenida theatre business in Maputo, Mozambique. Since 1987, he has divided his time amongst Mozambique, Sweden and, far more lately, his vacation property in Antibes in the south of France.


Theatre was Mankell’s very first adore. He began out operating as a stagehand in Stockholm and by the age of 20 he had written his initial play, The Amusement Park, about Swedish colonialism in 19th-century South America. Although Mankell has subsequently explained it was not extremely good, the perform was properly received.


In any situation, four many years later on he published his first novel, The Stone-Blaster. Even though Mankell was only in his early 20s, the book worries an old guy reflecting on his daily life and the need for social solidarity. As the two debut functions suggest, Mankell was not just a political thinker, he was also an overtly political writer.


In Sweden, crime fiction was transformed in the 1960s into a leftwing political genre by Per Wahlöö and Maj Sjöwall, who are typically cited as the godparents of “Nordic noir”. But it was not till May 1989, after publishing a succession of other novels and plays, that Mankell came up with the thought of Wallander.


He had just returned to Sweden from two years in Mozambique and he was struck by an increase in racism and attacks on immigrants. “Racism is a crime,” he later explained, “and I thought: Okay, I’ll use the crime story.” Apparently he plucked the title Wallander from a telephone directory.


Even though the Wallander novels are political – the poor guys tend to be fascists or members of a shady elite or the two – the detective himself is not. For all his ideological instincts, Mankell the craftsman realised that a politically right hero would not be really appealing. So Wallander became a flawed human becoming with bad eating habits, a problematic romantic relationship with females and a tendency to drink too much.


Wallander also grew to become a large bestseller, although it took a whilst for him to catch on internationally. When he did, nevertheless, other Scandinavian authors quickly followed. Mankell has in contrast himself in this respect to Björn Borg, who just took place to be the very first in an amazing line of best Swedish tennis gamers.


If racism was the catalyst for Wallander, the crime genre was also given higher urgency by the murder of Olof Palme, the Swedish prime minister, in 1986. The nonetheless unsolved killing shocked the country and prompted an extended time period of self-analysis and moral doubt. Mankell has dismissed this reasoning, arguing that non-Swedes produced a false picture of a social democratic paradise that Palme’s murder supposedly brought to an end.


“We did not lose our innocence with his death,” he said. “Politics would have followed the very same course. Industry liberalism would have took place.”


This is no doubt accurate, but the shooting of the prime minister in the centre of Stockholm, and the method in which the killer vanished into the night, left a psychological appetite for answers, a deep-seated necessary for mysteries to be explained and crimes to be solved, and Wallander, in his very own idiosyncratic way, answered to this need.


That Mankell was fascinated by the crime is clear from the truth that he wrote each a play and a Wallander short story about Palme, and the politician also featured in the last Wallander book, The Troubled Man (published in Sweden in 2009).


Considering that Wallander’s death, Mankell has focused on his other writing, which, which includes children’s stories, makes up a lot more than 75% of his corpus. But it has been his political actions that have gained headlines, most notably his decision in 2010 to join an support flotilla that was bound for Gaza.


In the event, the boats were halted by Israeli troops in an action that left nine members of the convoy dead. Mankell was arrested and then sent back to Sweden. Mankell sees the democratic state of Israel as a criminal nation, likening it to the South African apartheid regime.


Known for his irascibility, the writer has in 1 sense softened in late middle age. When he turned 50, he embarked on his fourth and, it looks, happiest marriage – to Eva Bergman, a choreographer and theatre director who is the daughter of the movie-maker Ingmar Bergman and the dancer Ellen Lundström.


In his column about his cancer diagnosis, Mankell stated that he had no memories of the trip back to Gothenburg other than a deep sense of gratitude at his wife’s presence. Obtaining older, he stated three years in the past, alterations our notion of love. In his 60s, he has produced a touching and proximate sense of mortality.


“At my age,” he explained, “I would say that the greatest definition of adore is you are with the man or woman you want to hold your hand when you die.”



Born 3 February 1948 in Stockholm. His father, Ivar, was a district judge his mother worked on the Swedish National Biography. They divorced when he was a single.


Greatest of occasions The publication of Faceless Killers in Sweden in 1991 started one of the most successful recent crime series.


Worst of instances Some of his feedback on Israel and Palestine have brought on controversy. He as soon as said it was unusual that there are not a lot more suicide bombers.


What he says “Society and its contradictions become clear when you create about crime.”


What other individuals say Mankell’s works “transcend their picked genre to grow to be thrilling and moral literature”.


“Mankell’s series is the exemplary situation of the fate of the detective novel in our era of global capitalism.”



Henning Mankell: chronicler of his very own decline | the Observer profile