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3 Ekim 2016 Pazartesi

British Vogue ditches models in favour of "real" women – for one issue

The new issue of British Vogue is to be a “model-free zone” after editors decided to use only “real” women to showcase the designer clothes featured in the magazine.


Among the women included in the issue are the architectural historian Shumi Bose, the charity director Brita Fernandez Schmidt, Hello Love Studio creative director and Hello Beautiful founder Jane Hutchison, and ice-cream brand creator Kitty Travers, as well as some of the women behind London’s Crossrail project.


Alexandra Shulman, the editor of British Vogue, said she commissioned the project because she felt strongly that professional women, or women in positions of authority or power, should be able to indulge their interest in fashion without it seeming frivolous. “In this country, there is still a stigma attached to clearly enjoying how you look and experimenting with it if you are a woman in the public eye and not in the fashion or entertainment business,” she told the Telegraph.


Shulman has edited British Vogue since 1992 and is venerated for her egalitarian attitude to body image. She does not publish stories about diets or cosmetic surgery, and in 2009 wrote a letter to all major designers arguing that the tiny sample sizes they offered for shoots encouraged models to be unhealthily thin. “I was also frustrated by a few designers’ PRs choosing only to lend their clothes if they approved of the appearance of the subject to be photographed rather than what they did,” she said.


The cover of the new Vogue issue, out on 6 October, may been seen to contradict Shulman’s previous claims that readers do not want a “real person” on the front of the magazine. In an interview for BBC Radio 2 in 2014, the editor told guest presenter Lily Allen: “People always say, ‘Why do you have thin models? That’s not what real people look like,’ but nobody really wants to see a real person looking like a real person on the cover of Vogue.


“I think Vogue is a magazine that’s about fantasy to some extent, and dreams, and an escape from real life. People don’t want to buy a magazine like Vogue to see what they see when they look in a mirror. They can do that for free.”


Shulman defended the choice of the actor Emily Blunt as the cover star of the “real” issue by pointing out that she plays an everyday woman in her new film, The Girl on the Train. According to Vogue, Blunt joked about appearing on her first cover: “It took three hours of hair and makeup to get me looking this real!”


The issue comes after H&M used the 60-year-old Scottish stylist Gillean McLeod as the face of its swimwear range and US brand J Crew used staff members and their friends instead of models to showcase its clothes at New York fashion week.



Women’s Equality party leader Sophie Walker


Women’s Equality party leader Sophie Walker has spoken out against ‘systematic malnutrition’ in the fashion industry. Photograph: Suki Dhanda for the Observer

The Women’s Equality party, meanwhile, is campaigning to change the fashion industry’s approach to body image by calling for designers showing in London to display at least two sample sizes, one of which must be more than a UK size 12.


Sophie Walker, the party’s leader, told the Guardian last month that these “tiny, tiny little clothes are such that normal-sized women have to starve themselves to fit into them. And we’re not talking a three-day soup diet here, which would be bad enough; we’re talking weeks and weeks of systematic malnutrition, for which young women are paid to fit into these tiny little sizes.”


Last week, four US Vogue editors were branded “jealous and hypocritical” after complaining about the presence of “pathetic” and “desperate” fashion bloggers at Milan fashion week.


Shulman distanced herself from the row, tweeting:


Alexandra Shulman (@AShulman2)

Can I just be CLEAR. The current Bloggersgate furore is via American Vogue not @BritishVogue.


October 3, 2016



British Vogue ditches models in favour of "real" women – for one issue

12 Temmuz 2014 Cumartesi

Rapidly-food vogue: Moschino accused of "glorifying" McDonald"s brand

Model Lindsey Wixson holds the Moschino iPhone case

Model Lindsey Wixson holds the Moschino iPhone case on the catwalk at Milan Style Week. Photograph: Rex Characteristics




It really is uncommon to see a magazine editor pulling a box of McDonald’s French fries from her Chanel handbag at haute couture trend week. But that was the unlikely occurrence in Paris final week – or so it seemed.


The reality was decidedly calorie-totally free. Produced of thick, spongey, vivid red and yellow plastic, the season’s most prolific accessory between the fashion set is an iPhone situation in the form of a McDonald’s carton, by Italian vogue residence Moschino.


Accurate to the spirit of quickly food, counterfeit versions have appeared at lightning speed in markets and on the internet. Weight problems campaigners, nonetheless, have not been so quick to embrace the craze. Some members of the healthcare establishment query the wisdom of celebrating rapidly meals at a time when one particular in 4 Britons is classed as obese and there are programs to reduced the threshold for NHS weight-reduction surgical treatment for men and women with newly diagnosed type two diabetes to a BMI of thirty, which could see an additional 800,000 people referred.


Obesity expert and GP Dr Ian Campbell explained: “My problem is that if children are [employing these iPhone situations] they are buying in to the complete rapidly-foods concept. And although the occasional McDonald’s meal is not a dilemma, to current it as trend is disappointing. Is it glorifying McDonald’s? I guess it is. Is it a good type of advertising for them? I guess it is.”


These criticisms are unlikely to harm the popularity of the types, which were unveiled as element of designer Jeremy Scott’s 1st catwalk present for Moschino in late February model Lindsey Wixson held one on the catwalk, while trend editor Anna Dello Russo utilised hers to take selfies with Katy Perry. In the months that followed, the instances grew to become ever a lot more well-liked with vogue editors, bloggers and celebrities. Rihanna and Rita Ora had been photographed with theirs Miley Cyrus brandished one on stage.


The problem for trend brand names is that designer iPhone circumstances are effortless to copy, according to Jason Rawkins, head of vogue and luxury brands at solicitors Taylor Wessing. The Moschino situation charges all around £45 fakes are getting offered for as minor as £3.


“Social media indicates that information travels more quickly and things turn into well-known significantly a lot more speedily,” said Rawkins. “So if the counterfeiters don’t move actually quickly themselves they could miss the boat two months later the bubble may burst.”


More and more designers are fighting this by speeding up their own operations, releasing up coming season’s collections straight right after the catwalk show. Confident enough, the Moschino iPhone situations had been offered from midnight on the day of the trend demonstrate. In the United kingdom, the very first vendor was Browns, the place the total iPhone’s stock offered inside of half a day.


The social media buzz around that demonstrate was unprecedented the brightly coloured clothing, employing familiar motifs – from Content Meal handbags to dresses inspired by sweet wrappers – appeared specifically developed to be irresistible on Instagram. And when the pictures had been disseminated broadly, controversy designed publicity that income can not get. Columnists decried the hypocrisy of the vogue market celebrating rapidly food others ran quotes from restaurant employees comparing their paltry wages to the rates of the collection.


There was a lot debate, as well, about no matter whether Moschino was infringing on the McDonald’s copyright, but a McDonald’s spokesperson explained: “We have signed a licence agreement with Moschino that makes it possible for them to use McDonald’s intellectual property on the merchandise. Moschino will make a donation to Ronald McDonald Home Charities.”


Definitely, the collection would seem unlikely to do the golden arches any injury. For the consumers who get into the Moschino aesthetic, the iPhone case is an expression of absurdity and fun. Scott has typically spoken about Moschino as a brand centred on irony and irreverence, and has spelt out his wish to carry Moschino to a younger audience.


The iPhone cases also tie into a wider “emblem mania mood we have observed on a quantity of catwalks that references 90s nostalgia”, according to Natalie Kingham, buying director at matchesfashion.com. Even though Moschino was at the forefront of the very first wave of brand mania in the 1990s, this time about it is deployed with more complex and being aware of layers. Scott’s initial Moschino menswear collection, for example, saw the designer generating “knock-offs” of fellow luxury manufacturers, from Louis Vuitton to Hermès – an notion that suggests he would be unfazed by the Camden Industry copies of his brand’s iPhone circumstances.


In any case, Moschino looks to have alighted on the recipe for quickfire good results in the social media age: right away arresting design and style, speedy manufacturing, social media dominance and a side purchase of controversy.




Rapidly-food vogue: Moschino accused of "glorifying" McDonald"s brand